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Standing proudly in the heart of Vathy, the Church of the Virgin Mary reigns as the island’s Old Cathedral, a testament to enduring faith and architectural brilliance. Built in 1800, the church exudes an aura of tranquility and devotion, its presence deeply intertwined with the lives of Ithacans.
The church’s story traces back to a smaller, earlier church named “Panagia στα Λινοβρόχια” (“Virgin Mary in the Flax Fields”). This moniker stemmed from the area’s tendency to flood with rainwater, creating brackish pools where locals would soften flax for processing.
In response to the growing needs of the congregation, the current church was constructed in 1800. An inscription above the western entrance proudly proclaims the date, marking the beginning of a new era for Vathy’s religious landscape.
Stepping into the Church of the Virgin Mary, visitors are greeted by a symphony of artistic marvels. The centerpiece is the magnificent 1793 wooden iconostasis, a masterpiece crafted by the renowned Metsovite woodcarver Ioannis Paschalidis. Its intricate carvings and vibrant colors transport visitors to an era of craftsmanship and artistry.
On the left side of the church, the exquisite pulpit, the handiwork of Ithacan sculptor Spiros Komninou from Lefki, catches the eye. Its delicate design and intricate details add a touch of elegance to the sanctuary.
Another treasure within the church is the collection of revered post-Byzantine icons from the now-vanished “Panagoula στου Κόντε,” a victim of the devastating 1953 earthquakes. These icons, imbued with centuries of devotion, serve as a poignant reminder of the island’s rich religious heritage.
Complementing the church’s architectural beauty is the adjacent bell tower, a remarkable feat of engineering completed in the early 20th century. Its towering presence serves as a beacon, both literally and figuratively, guiding the faithful and symbolizing the enduring strength of faith in the hearts of Ithacans.
Photos By: Giorgos Delaportas, Tiemahos Markantonis
